Bitter Twisted Wrong - Review

A set of original songs from a girl with something to say. A performer from an early age and with confidence doubtless boosted by time spent with drama groups, Tomlin sings with authority here and plays acoustic guitar and piano – and with an edge that sets her apart from wispy warblers and faux cockernee dames infesting the troubled waters of the music business. That she keeps her angst tuneful and forceful, without shouting is to her great credit.

The 'secret weapon' on this album though is the multi-instrumental work of one Phillip Goss who sounds at ease on (rocky) guitars, keys, drums and (I would guess) bass. Thanks to him, each track develops a different feel from the punchy opener 'Your Demise' to the vaguely eastern twists of 'Stand Corrected'.

Chrystina's subtle double-tracking works really well. Sounds as though she is aching to front a pokey rock band than warble at unplugged shows and I'd guess she may be a fan of Shirley Manson rather than Gwen Stefani ?

Lyrically, this seem to be a sonic diary – who is the b******d in 'Bitter Twisted Wrong' I wonder ? There is a hint that Tomlin HATES to admit to being vunerable, for sure....

More convincing on the edgy cuts like 'Never Ever', Chrystina appears to be settling a few scores on these stories. Sometimes on the more ballad-y selections she is tempted to turn a bit showbiz, but growing familiarity with the songs will surely erase any wandering.

For the moment this debut shows character and a neat forcefulness on the superior tracks. And Goss is outstanding, respect

Pete Sargeant - Fair Hearing